As she watched her son from a low-lit audience on Valentine’s Day, tears came to Maribel Cuevas’ eyes. Under the lights of the performance stage, Juan Gilberto (Gil) Cuevas, her son, was receiving news that his parents were considering moving him into a group home called Havenbrook to support his future independence. But the news wasn’t coming from Maribel, and in fact, the news wasn’t real at all–it was from a play script. Confused and apprehensive, Gil turned toward the man playing his father, rubbing his neck gently to reassure him that, yes, everything would be alright.
Then the lights went down.
Maribel’s tears were real, but they were tears of joy as Gil finished this scene with his acting partner Paul Douglas as part of Love: Revamped, a series of six short scenes and plays centered on the theme of interpersonal relationships. Directed and produced by Dori Levit, Love: Revamped was performed at The Tank, a nonprofit arts presenter supporting artists from all disciplines, and was sponsored by the John DeSotelle Studio.
Shining a Spotlight
“Love is difficult. Therefore, we should trust in it.”
Dori Levit began her director’s note with that phrase. In directing these performances, Dori wrote that she wanted to “[present] the challenges which arise with letting another person close to our heart.”
The six plays/scenes presented in Love: Revamped were:
- Adam & Eve, written by Francesco Andolfi and Giulia Bisinella and starting Ari Sloan, Sydney Wilson, and Sheikh Niloy
- Thor’s Hammer, written by Lindsay Partain and starring Emily DeSotelle and Tyreana Overby, who attends AHRC NYC’s Day Habilitation Without Walls (DHWOW)
- Havenbrook, written by Stuart Green and starring Paul Douglas and Gil Cuevas (Gil is also supported by Day Hab Without Walls)
- Bird/Plane, written by Jess Rawls and starring Alexandra Sabina, Quint Spitzer, and Tim Snoha
- Ranch, written by Lloyd Pace and starring Michael Douglass and Joycelyn Hill-Frances
- and Dance With Me, written by Dori Levit and starring Melissa Jennifer Gonzalez and John Rearick
In addition to sharing the theme of relationships, each play featured at least one actor with a disability. Dori, who used work for AHRC NYC’s DHWOW in Manhattan, said that was always her intent. “I strongly feel that this population of actors are underrepresented and type-cast, severely limiting not only their opportunities as artists but the opportunity for the community to see and be inspired by them. I think it’s more realistic to include people of all abilities, from all walks of life, in a production that is supposed to simulate what love is in our society.”
Dori continued saying that her time at AHRC NYC has influenced her theater experiences. “In all my experiences with people who are differently abled, including at AHRC, I have been given the opportunity to learn from some of the strongest, humblest, and most compassionat